![]() She also loves flying, as you probably could have guessed.įor a movie released in 1984, Nausicaä has a lot to say about the modern world. ![]() Nausicaä herself is practically the primal Ghibli protagonist, a young woman whose kindness, curiosity, and joie de vivre bring light to her valley-one of the last refuges of humanity in a post-apocalyptic future. The movie that made Studio Ghibli was technically produced before its founding, but since Nausicaä of the Valley of the Wind inspired almost everything that came after, it is usually included in this body of work. So, he embraced a watercolor aesthetic, one that he hoped would allow viewers to "vividly imagine or recall the reality deep within the drawings." The result is a dreamy, evocative saga of a young heroine experiencing the world. He wanted them to empathize with the princess, which is something he couldn't get from the book on first reading. Takahata didn't want audiences to be distracted by a more realistic art style. Kaguya is based on The Tale of the Bamboo Cutter, a book he read as a child about a bamboo cutter who discovers a miniature girl within a stalk of bamboo who grows to become a woman of great beauty. "However, they'd be forced to for an anime feature because anime captures things we do and reflects more solid reality than how they actually are." This was his goal for what became his final film and speaks to the legacy he left behind at Studio Ghibli. "I don't think audiences really 'watch' live-action features carefully," he once said. Takahata believed animation could reach certain depths of reality that live-action could not. The Tale of the Princess Kaguya is also the tale of Isao Takahata, one of the three co-founders of Studio Ghibli who passed away in 2018. These days, fans of Ged and Arren's sea journey in The Farthest Shore will find a more satisfying adaptation in Moana. Still, it's a shame that aside from a brief opening scene, an Earthsea movie spends so little time on the ocean. To its credit, it does nail the most important themes of the Earthsea series (namely, that mankind should use its power in concert with the natural order rather than try to oppress it, and that death is what makes life beautiful in the first place) and there are some delightful mash-ups of Le Guin's style with Ghibli's aesthetic. ![]() Named after the fifth Earthsea book but based on plot elements and character moments from the first, third, and fourth novels, Tales From Earthsea gets a little too tripped up mixing and matching disparate references to tell a completely coherent story. which makes it a slight bummer that the legendary animator passed this project off to his son Gorō Miyazaki instead. Le Guin's one-of-a-kind fantasy series for the screen, it was probably Hayao Miyazaki. In the meantime, check out the trailer for Ocean Waves and mark December 28 on your calendar for its debut at New York's IFC Center and a one-time screening at the Chinese Theater in LA.If anyone was capable of adapting Ursula K. Studio representatives have implied that Ghibli might dissolve once Hayao Miyazaki eventually retires, though in 2014 interview with Variety he said, " I intend to work until the day I die." He recently announced he would be devoting the next three years to a new feature called Boro the Caterpillar, and is working on his first CGI short of the same name. Since then names like Hiromasa Yanebayashi, Hiroyuki Morita, and Hayao's son Goro Miyazaki have sat in the director's chair. Ocean Waves was the first Ghibli film with a director other than founders Miyazaki or Isao Takahata. Adapted from a popular novel by Saeko Himuro, Ocean Waves has a beachy feel and soothing pastel color palette animated by a team of Ghibli's young talents. Ocean Waves will be a new side of the Japanese production house for fans who have only seen Spirited Away and Princess Mononoke-which is also in select theaters on Miyazaki's birthday weekend, January 5, 2017. Mochizuki's story follows schoolboys Taku and Yutaka as they're torn apart by their relationship with new girl Rikako.
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